The companion forcreators.comics.creators.

A companion for writing, rehearsing and performing your own material. Home starts with Write, Talk and Film, keeps your progress near the top, and offers your next gig and unfinished work. Writing assistance and generated reels use online services; self-filming, trimming and captions run on your device.

You confirm you are 18 or over, meet the app and its note/bit/set/night vocabulary, then choose your language, how clean you work, stage name, what people assume about you on sight, and plan. Home then offers Write, Talk and Film.

Because the rooms this is for are 18+, and the app says so before it says anything else. It is a confirmation, not a date of birth — the only thing kept is the moment you tapped it.

Tap Talk on Home to start a voice note. Write opens an editable page, and Film opens the filming choices. Microphone permission is requested when access is first needed.

The app keeps the recording and transcript, and on-device analysis looks for a premise, attitude and candidate setup and punch. Crush Potential and suggestions help you decide what to develop. You can correct the transcript and use the writing actions on the saved note.

A 0–100 read on how close a note is to being a joke, built from seven things: a premise with an attitude on it, specificity, a mechanism you can name, where the candidate punch word sits, setup economy, room for a tag, and how original it is. It is always shown with its parts, never as a bare number.

Write opens the Writing Room: one editable page that saves as you type. Start with your own idea or use Ask me a question. Improve helps develop what you have, and Write a joke takes a brief you choose. Keep working on the page, then turn your words into a bit, a set or a reel.

Ask me a question offers a starting point. Improve works on the words you have already put on the page. You review the result and decide what to keep. For a new joke, describe the topic and angle in Write a joke.

The writing prompts ask for missing details instead of inventing a biography. Generated text is checked for names and places that were not in your input. These checks help, but you should still read suggestions before keeping or performing them.

You give it a length and a room; it plans the bits — one premise each, an opener that addresses the obvious about you, a closer that calls back to something earlier — and then writes them two at a time. Every line arrives with its reasoning and with the answer of yours it grew from.

Yours. Every line is built from answers you gave and names the one it came from, and the rulebook the writing room works to forbids borrowed or viral material outright. A line that lands too close to something already in your own bank is flagged rather than kept quietly.

It refuses, with numbers, rather than padding: it tells you roughly how many minutes your answers support and how many more questions to answer for the slot you asked for. That check runs on the phone before anything is sent.

The bits already written are saved and the job picks up where it stopped — a half-finished set is still performable. You can leave the app while it runs; it works in the background and tells you when the set is ready.

Yes — reorder, cut, or swap one bit for a fresh one, and a swap rewrites that bit alone and re-checks any callback pointing at it. Every change reaches the store the moment you accept it, and earlier versions are kept.

Yes — you pick the language a set is written in, and the choice is Hinglish, English, Hindi, Telugu, Tamil, Kannada, Marathi or Punjabi. The rehearsal and the live analysis follow your punch words rather than every syllable, so a set that switches language mid-sentence still works. Dictation is the one part that depends on your device: Hinglish is transcribed with the Indian English model, so a Hindi word may come back spelled the way it sounded, and you fix it by tapping the transcript.

The machinery, spelled out: the mechanism the joke uses, the assumption the setup plants without saying it, the one element with two readings, the reveal that breaks it, which theory of laughter it runs on, why it should land for you, the rule of the course it obeys, and the answer of yours it came from.

Every one, or it is not saved. A reply carrying a line without complete reasoning fails the check on the phone, goes back once with the broken rule named, and is then reported to you rather than shown.

Yes, everything is editable, and the editor reads along as you type. If your edit leaves the punch word somewhere other than the end it flags the rule and offers to trim whatever came after it.

It is greyed with the reason and kept out of Stage mode until you edit it or approve it. It is not deleted and the call is still yours — the app will not take a line off you, it just will not hand you one on stage that it has doubts about.

Choose Cue, Punch or Blackout. Say the line, tap Reveal, then mark yourself Blank, Fumbled, Shaky, Clean or Instant. The app uses those ratings to schedule what you practise again. Flashcards do not listen to or automatically grade your voice; Voice Run is a separate mode.

Drill before gig builds you a session of twelve minutes or less out of the lines you have fumbled and the ones you changed most recently. It is the short list, not the whole set.

You perform the set out loud to the phone and it follows you, then reports the lines you skipped, the setups you paraphrased — which is fine — and the punch words you missed, which is not. Silence never advances it; if you stop, it holds.

Huge type on black, one joke a page, the punch word picked out, the bit's slug pinned above it and the light timer running. The counter reads both halves — 02 / 04 · 2 of 3 is bit two of four, joke two of three — the screen stays awake, and nothing touches the network.

A swipe on the phone moves one joke. The bit title stays in place until you reach the next bit, and the counter shows both the bit and the joke within it.

You set the light when you book the night, and the phone buzzes at one minute to go and again when you are on it, with the closer's slug turning amber. A night with no light is allowed, and it is not scored against one.

Stage saves your position as you move, so the app can restore the set and joke after an interruption. Reopen the app and check the restored page before continuing; recovery time depends on the device and what interrupted it.

Yes. Stage mode runs as normal and you mark each joke with a thumb yourself, and those marks merge with any automatic ones — so a night nobody recorded still gets a review.

It listens for laughter, applause, silence and people talking in the room, lines what it hears up against your set by punch word, and builds a score while you are still on stage. All of it happens on the phone — nothing is streamed anywhere.

A 0–100 read on the night from seven things: the share of it that was laughter, surges a minute, peak intensity, how many punch words got a laugh inside a second and a half, momentum, recovery after a line dies, and whether you got off on the light. It is always shown with the laughter share and the heatmap, never alone.

No. Suggestions arrive as diffs with the evidence attached — a tag that outperformed its own punchline, a line that died in three rooms of different sizes — and accepting one writes a new version. Nothing is ever changed silently.

One page you can send: the score with its band, the laughter share and laughs a minute, the heat across the set list, the three biggest laughs with the lines that got them, the longest silence, and one recommendation that names the rule behind it. It renders as a vertical picture for a phone and as an A4 PDF.

We do not publish a number for it, and we will not until it has been run against labelled recordings of real rooms. What it does is describable without one: it looks for somebody other than you talking over you, and for what you did next.

In the Library: a searchable feed of notes, bits, answers, sets, shows, reels and links. Filter by kind and open a row to read, edit or act on it. On a wider screen, filters and actions live beside the content.

Yes: Apple Notes exports, Google Keep exports, plain .txt and .md dumps, and Punch Word's JSON. Everything is split, read as an answer, a premise or a joke, and shown to you before a single row is saved — and nothing is generated from it unless you ask.

iPhone, iPad, Mac and Apple Watch, from one app and one subscription. Each has a job: the phone is the stage and the pocket, the iPad is the writing desk and the prompter on a stand, the Mac is the writing room, the watch is the remote on your wrist.

Because a Mac does not go on stage, and the app says so where Stage mode would have been: stage mode and the live show run on your iPhone or iPad, which is what goes up with you. The Mac is the writing room — write it there and it is on the phone before you walk on.

The Watch mirrors the current phone page: the bit and joke counter, the light clock, the title and punch word. Tap a thumb to mark that joke. It does not turn the phone’s pages; move to the next joke on the phone.

Your material can sync through your own private iCloud database. Recordings are fetched when needed rather than copying the whole archive onto every device. Keep anything you need offline on that device first; sync depends on iCloud availability and connectivity.

More space for the page and its actions. At regular width, navigation and the inspector can sit beside your writing or set editor. Stage mode is available on iPad too, for a prompter on a stand.

Notes and show recordings are processed on your device and can sync through your private iCloud. You can also export them yourself. Self-filmed takes stay local unless you share them. Building a double and generating reels is separate: the recording and material you approve for that flow are sent to the render service, as explained before consent.

Writing requests send the relevant text to our server and writing service. Making a report link uploads that PDF. Double and generated-reel requests send their approved recording and render inputs. Private iCloud sync, purchases, notifications and service operation also exchange the data needed for those features. This is not a promise that everything except writing stays offline; see the privacy page for the separate paths.

We do not train models on your material. Anthropic does not train on the text sent for writing help. For video, the terms depend on the service named before you consent: BytePlus does not train on submitted material without our authorisation, which we have not given; Higgsfield’s terms permit training, which deletion cannot undo. The privacy page explains both paths.

Saved local material, Stage mode, flashcards, on-device recording and analysis, and self-filming do not need an online writing service. Some device capabilities and permissions still matter. Writing new material, making a double or generated reel, fetching a file that is not on this device, private iCloud sync, purchases and hosted report links need connectivity. Keep the files you need locally before going offline.

Both, from the You tab. Export everything writes a zip of your records and every audio file. Delete everything asks you to take that copy first, then removes your material from this device, your iCloud and our server, and takes down your Show Report links. It does not cancel your subscription, and unspent reload credit goes with it. Take down any live Private Mic link first; the privacy page lists exactly what goes.

Anyone with the link can view it until it expires after seven days or you take it down. The page shows the shared reel rather than your Library, and viewers can leave the requested reaction without an account. Treat the link as shareable: someone can forward it. The privacy page explains the limited operational and abuse-prevention data; report a concern on the page or to sachin@getconvi.com.

Ninety days by default, and the window is yours to change — including keeping them until you delete them yourself. The purge covers show recordings and note audio alike, and it runs at launch.

Three monthly plans cover iPhone, iPad, Mac and Watch. Writer covers writing help and your material, including sets, flashcards and Stage mode. Stage adds Voice Run, live show analysis, coaching, hosted Show Reports and paid double/reel creation. Ultra adds a larger monthly credit balance. The pricing page has the full feature table and current App Store prices for your country.

You keep it — reading, editing, exporting, Stage mode and flashcards all stay open, on everything you have already written. Only writing new material, analysis and coaching pause. There is a test that fails the build if that ever stops being true.

No — the plans meter what the writing actually costs rather than counting sets, so you write as much as you like until the month's credit is used and it says out of credits. On a paid plan it refills on its own, and nothing you have already written is affected either way.

No. A reload is a one-off purchase that adds credit when the month's balance runs out, and that credit never expires. It is spent only after the month's own balance, oldest first. The monthly balance itself resets each month.

No. Writer and Stage start with a three-day free trial for new subscribers; Ultra has no trial. The trial covers the writing and the room, not the double or reels. Nothing is charged until it ends, and cancelling at least a day before it ends means nothing is charged at all.

Yes. Choose Film yourself for the voice-paced prompter, saved takes, trimming, captions and export on your device. You do not need a double or render credits. Takes stay local; a clip you keep can sync through private iCloud. Automatically cutting the biggest laughs from an imported full show is still planned.

Yes. A longer script is split into connected parts. The progress screen shows each part as it is made; when ready, you can watch the whole video or open a part. You review the quote before rendering, and generation needs an internet connection and credits.

Yes. Open the part that needs work, review the proposed change and its cost, then make a new take of that part. Compare the takes and choose which to use. Supported pronunciation edits can address several words together; available changes depend on the part and provider.

The script tools distinguish your written words from Said as, the pronunciation sent for speech. Review the spoken form and keep your corrections. Language tools cover English, Hinglish, Hindi, Telugu, Tamil, Kannada, Marathi and Punjabi; generation quality varies by language and provider. Your captions keep the written words.

Review your script, pronunciation, appearance, scene, framing, captions and the quoted cost. A Personal Double uses a reference recording you consent to upload. Rendering is separate from the on-device preparation tools; your choices determine the material sent.

You can export a set as teleprompter cards today — one card per bit, on your clipboard, ready to paste into the Meta app and page through. Connecting to glasses directly, so the app drives the cards itself, is coming soon.